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AEA R92 Ampliar

AEA R92

Building on the success of AEA's acclaimed R84 ribbon microphone, Wes Dooley and AEA's team of engineers set out to once again expand the sonic possibilities of ribbon microphones with the R92 model. Reduced proximity bass boost and excellent wind blast protection make it suitable for close miking of guitar and bass amps, drums, and vocals. 

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R92

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Building on the success of AEA's acclaimed R84 ribbon microphone, Wes Dooley and AEA's team of engineers set out to once again expand the sonic possibilities of ribbon microphones with the R92 model. Reduced proximity bass boost and excellent wind blast protection make it suitable for close miking of guitar and bass amps, drums, and vocals. At half the distance to the source, the R92 delivers a similar bass-to-treble balance as the R84. In addition, the integrated shockmount and swivel allow for easy setup and positioning in tight spaces. The smooth high frequency response of the R88 and R84 transducers has been further extended in the R92, making it a unique voice in the world of ribbon mics.

Two Voicings - Endless Possibilities
AEA has designed the R92 to have slightly different tones on the front and rear pickup lobes of the bidirectional microphone. The front lobe of the R92 is the "crisp" side, offering exceptionally clean and realistic high end detail. The rear lobe is the "smooth" side, which has a bit of classic ribbon high end roll-off reminiscent of the iconic 44 that can help to handle harsh transients in a very refined and flattering way. The bass reproduction of the R92 is very solid and extends to the lowest audible bass frequencies.

A Guitar Player's Favorite
Like all figure-of-8 microphones the R44 or R84 ribbons are subject to proximity effect - the increase in bass as you move the microphone closer to the source. While this effect can be particularly flattering for singers and to create a "larger than life" sound, it can get too much and overpowering in some recording situations. The guitar players on our staff asked for a ribbon microphone that captured an authentic and balanced electric guitar tone when put right onto the grill of his Fender amp. Thanks to its purely passive signal path and Wes' bag of acoustic tricks, the R92 not only handles the SPL levels of a high-gain amp with ease, but it also translates all the gritty details of the distortion that you've been tweaking so carefully.

Características

  • + Same Big Ribbon™, tuning, and transformer as the R44 series
  • + For closer applications and louder sources
  • + Compact design with different front and back tonality
  • + Versatile for close-up and ambient mic applications
  • + Particularly well suited for electric guitar, electric bass, and drums
Especificaciones
Operating Principle: Pressure gradient microphone
Directional Pattern: Bidirectional (Figure-of-8)
Frequency Range: 20 Hz to 20 kHz
Maximum SPL: 165+ dBSPL (1% third harmonic > 1 kHz)
Output Sensitivity: 1.8 mV/Pa (-55 dBV) into unloaded circuit
Output Impedance: 270 Ω nominal
Recommended Load Impedance: 1.2 kΩ or greater
Powering: Not required or recommended
Polarity: Pin 2 high for positive pressure on front of microphone.
Connector: XLR-3M wired to a 3 m captive cable
Off Axis Response:
Polar Pattern: Native bi-directional pattern
Horizontal: Level changes with angle, frequency response is consistent, –35 dB null at 90° / 270°
Vertical: Level changes with angle, reduced HF response above and below 0° / 180° axis, –35 dB null at 90° / 270°
Transducer element: Ribbon Thickness: 1.8 μ (0.0000018 m) of pure aluminum
Ribbon Width: 0.185" (4.7 mm)
Ribbon Length: 2.35" (59.7 mm)
Accessories:
Included: Custom storage / shipping case, manual
Optional: Any length cable, inquire for price and delivery.
Limited Warranty: One year parts and labor, shipping not included. Three year extended warranty if the product is registered.
Weight with Cable: 2 lbs (0.9 kg)
Weight with case: 7.5" (19.1 cm)
Height: 7.5" (19.1 cm)
Width: 2.9" (7.4 cm)
Depth: 2.5" (6.4 cm)
 
Testimonios
Paul Antonell
Clubhouse Studio, Owner
"I hate you guys! Now I have to buy them. I used the R92 on Al's Di Meola's guitar amp, and the 84's about a foot away, Fantastic!!! Al loved the sound. I used the R88 on the drum overheads, sweet!!!!"
 
Neil Dorfsman
Producer/Engineer, Scotland
"I was so pleased to get a chance to use the line of AEA ribbons on a project I recently did. They have that characteristically smooth, warm ribbon sound, I used the R84's on everything from close-miked, extremely loud guitar amps, horn sections and bagpipes to smooth room ambience for drums. I was particularly happy with the stereo ribbon model R88. They are a "must have" for all my sessions!"
 
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AEA R92

AEA R92

Building on the success of AEA's acclaimed R84 ribbon microphone, Wes Dooley and AEA's team of engineers set out to once again expand the sonic possibilities of ribbon microphones with the R92 model. Reduced proximity bass boost and excellent wind blast protection make it suitable for close miking of guitar and bass amps, drums, and vocals. 

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