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AEA N8 Ampliar

AEA N8

Following the successful N22 model designed for singer-songwriters and project studios, the N8 sounds distinctly different despite having a similar appearance to the N22. In designing the N8, we set out to create the most open and natural sounding ribbon microphone ever made. 

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N8

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Following the successful N22 model designed for singer-songwriters and project studios, the N8 sounds distinctly different despite having a similar appearance to the N22. In designing the N8, we set out to create the most open and natural sounding ribbon microphone ever made. Conceived to render acoustic spaces as faithfully as possible, the new N8 microphone excels in capturing drum overheads and rooms, strings, classical ensembles, and orchestras. As such, it is the ideal complement to the N22 microphone. But even when used up close, the N8 delivers exceptional clarity and warmth, while also taking EQ extremely well without ever being harsh.

By employing a similar design philosophy as used on the popular R88 stereo ribbon microphone, the N8 achieves an astonishingly transparent sound with a superior transient response that lets AEA's famed Big Ribbon truly shine. The aluminum ribbon in the N8 is identical to the flagship R44 model in its dimensions and tuning, putting it in direct lineage of the iconic RCA 44 type.

The N8's unobtrusive size and black finish is ideal for orchestral and TV work, where microphones need to be easy to position and more or less invisible. The N8's phantom-powered electronics and a custom German transformer complete the package and deliver groundbreaking low level detail and optimal distortion performance, even when driving long cable lines in remote recording situations. Just like all other AEA products, the N8 is 100% manufactured in Pasadena, CA.

The N8 is the second member of AEA's NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbon microphones, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley's take on the evolution of the ribbon microphone.

The N8 is the second member of AEA's NUVO series of microphones. Rooted in the RCA tradition just like other AEA ribbons, all NUVO microphones are designed to offer a fresh approach to the ribbon transducer and represent Wes Dooley's take on the evolution of the ribbon microphone.

Características

  • + Open and natural
    + Designed for far-field: overheads, strings, and room mics
    + Unobtrusive, discreet and video friendly look
    + The same Big Ribbon™ as the R44
    + Phantom powered electronics for optimal performance with any preamp
    + 100% manufactured in Pasadena, CA

Especificaciones

Operating Principle: Pressure gradient microphone
Directional Pattern: Bidirectional or Figure-of-8
Frequency Range: 20 Hz to 20 kHz
Maximum SPL: 141 dBSPL (1% third harmonic > 1 kHz)
Output Impedance: 92 Ω broadband
Recommended Load Impedance: 1.0 kΩ or greater
Powering: P48 phantom power, 7 mA
Polarity: Pin 2 high for positive pressure at the front of the microphone.
Connector: XLR-3M
Off Axis Response:
Polar Pattern: Native bidirectional pattern
Horizontal: Level changes with angle, frequency response is consistent, –35 dB null at 90° / 270°
Vertical: Level changes with angle, reduced HF response above and below 0° / 180° axis, –35 dB null at 90° / 270°
Transducer element:
Ribbon Thickness: 1.8 μ (0.0000018 m) of pure aluminum
Ribbon Width: 0.185" (4.7 mm)
Ribbon Length: 2.35" (59.7 mm)
Accessories:
Included: Storage / shipping case, microphone stand clip, custom protective mic sleeve, user manual
Optional: Matched stereo pair
Limited Warranty: One year parts and labor, shipping not included. Three year extended warranty if the product is registered.
Height: 8.83" (32.4 cm)
Width: 1.62" (4.1 cm)
Depth: 1.62" (4.1 cm) 

Testimonios

Don Zientara 
Fugazi, Minor Threat, Dischord Records
"These mics are magnificent for guitar amps, vocals, brass, and stringed instruments! They have a good deal of top end, yet are never harsh. Smooth. Very smooth! A lot of times ribbons will be too heavy on the low end, but these mics have tamed it quite well, yet still remained creamy. Even though they lack some protection from plosives, this can be dealt with by windscreens. Violin was sterling from about 18" away!"

Darrell Thorp
Radiohead, Beck, Paul McCartney, Outkast, Jay-Z
"Depth, detail, and bottom end for days. So much focus and tone from one phantom powered ribbon mic. The first ribbon mic that I have ever used with so much output gain. Recording a screaming electric guitar solo and actually had to used a pad after the mic!"

Gustavo Borner
Juanes, Los Tigres del Norte, Ricky Martin
"I really like the high end, almost like a condenser, didn't have to reach the EQ on the RPQ immediately. Output is also nice and hot. Low end was also nice and tight. As a drum room is one special use. We also used as a Upright bass second mic a little farther away and it sounded great. Ribbon response but with high end."

Reseñas

http://www.ribbonmics.com/sites/default/files/AEA_RecordingMag_N8_2014.pdf 

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AEA N8

AEA N8

Following the successful N22 model designed for singer-songwriters and project studios, the N8 sounds distinctly different despite having a similar appearance to the N22. In designing the N8, we set out to create the most open and natural sounding ribbon microphone ever made. 

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